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"The Americans" 100 photographs that changed the world 3617 E Union 3D 8x10 camera Action Sports Adrea aerial Agatha Wasilewska Air in the Square Alexander Porter Alphonse Bertillon Alwyn Bently animals Anna Moller Announce Anthropometry Apollo 8 Archeological Photography Architecture Architecture Art History Arthur Fellig Artifacts ASA automated cameras Automated Cameras Baba Bálint Rádóczy Bees Behind the Scenes behind-the-scenes Belgrade BEST Kiteboarding Bill Frisell Biodynamic Biometrics Black and White Magazine BLDGBLOG BMX Boat bone scans Books Brooklyn Bullet Time C.G. Jung Camera Mods Camera Mods Camera Obscura Camera traps Camera Tricks Caravaggio Carl Jung cats cheetah Childhood Home Christ Christopher Walken Chronophotography CIANT Commissioned Work Conceptual Craft crime scene amsterdam crime scene photographs Crowds Dan Winters Dance Dance David lynch Dazed Digital Depth_Editor_Debug DepthEditorDebug desert Dinner Disfarmer divine Dog Donna dusk Dynamic earthrise earthset Eatern Washington Eskimo Etc. Exhibits Experimental Far Out! flight flying Food forensic photography Forensic Photography France Fred R. Conrad freediving Friends full body scans Fun Galen Rowell Goofy Grape Vine Hands hikari cube Hiroshi Sugimoto History History Honey Bees hunting Hymenopterae Ice ICP Image Source INPUT Insects Inspiration Interactive Art International Center for Art and New Technologies iPhone Iphone Uploads Jacques Montel James George James Nord Japanese Kickboxing Kinect Kiteboarding landscape Landscape Photography large format leopards LIFE magazine Lit Photos Long Exposures Long Exposures lunar Madonna memorial photography Metallurgy Microscopy Miniature Miroslav Tichy Misc Miya Ando Moon Mother & Child Mother and Child Motion Studies MSG Muay Thai Mug Shots mushrooms Muybridge My Shots Mythology NASA NeNew York Times New Scientist New York City New York Times News Nifty night Night Photographs Night Photography Night Photos noir NTK Nuclear Medecine Nudes NY Times Old Photo panda Parsons Paul Porter Periodical Photographs Pet Portraits Photo Conference photo traps Photographers Physiognomy Physiology Physiology of Sight Pleurotus Ostreatus police beat porter brothers portrait Portraits Portraiture postmortem photography Pottery Press Projection Projects In Progress Published Radiology Rag & Bone Randolphe A. Reiss Randolphe Archibald Reiss Resonate Resources Reuters RGBD RGBD Robert Frank Sad Mother Sail Sam O'Hare Samantha Mitchell Scanning Electron Microscope Science Science sculpture Seascapes SEM Sequences Shamdasani shoji ueda Skateboarding Snowflake Space Space Suits Spearfishing Sports Sports Stop Motion Street Photography street photography Subway sunset Sweden Tatiana Sachie Taxonomy Teddy Telles Textbook The Eye The Great Depression The New School The Photographic Universe The Picture Show The Red Book The Scene of the Crime: Rodolphe A. Reiss (1875–1929) Theatres Tilt/Shift Tim Knowles Time Times Square trent parke undefined Värmland Velázquez Vessel Video Video Vine Vineyard Walker Evans Walking Wall Street Weather weegee WildView Wilridge Winery Wine Woulda-coulda-Shoulda Xbox 360 Xray Yakima Tasting Room

Entries in Galen Rowell (1)

Saturday
Mar272010

SPACE: EARTHRISE

I have been thinking about how to talk about photographs of and from space in the context of photography – beyond the technicality– and here we go. Opening appropriately with NASA image AS8-14-2383.

This emblematic photograph was taken on the 1968 Apollo lunar mission by astronaut William Anders while orbiting the moon. It was called by Galen Rowell in LIFE's 100 Photographs That Changed the World "the most influential environmental photograph ever taken."

 

 

 

 

Borman: Oh my God! Look at that picture over there!
               Here's the Earth coming up. Wow, is that pretty. 
Anders: Hey, don't take that, it's not scheduled. 
Borman: (laughing) You got a color film, Jim? 
Anders: Hand me that roll of color quick, will you...

[from the NASA transcript as the photo was taken]  


It should be noted that this phenomenon can only be viewed by someone in orbit around the moon. Because of the Moon's synchronous rotation around the Earth no Earthrise can be observed by a stationary observer on the surface of the Moon. Also, an 'earthrise' or 'earthset' would take approximately 48 hours to clear the surface of the moon from a stationary observation point. A lunar 'day' (with respect to the earth) is 27 days during which one would see various earth 'phases'. An interesting side note is that this photograph was actually taken with a different orientation, with the Earth on the left and the moon's surface at the right of the frame.

One of the most interesting things about the moon landing and these photographs, is not the touching or the seeing of the moon, but the turning back and encountering the earth from an external vantage point for the first time. It shows a point of view that before people had only imagined. And in imagining, often it was the viewpoint of the divine.