INDEX
"The Americans" 100 photographs that changed the world 3617 E Union 3D 8x10 camera Action Sports Adrea aerial Agatha Wasilewska Air in the Square Alexander Porter Alphonse Bertillon Alwyn Bently animals Anna Moller Announce Anthropometry Apollo 8 Archeological Photography Architecture Architecture Art History Arthur Fellig Artifacts ASA automated cameras Automated Cameras Baba Bálint Rádóczy Bees Behind the Scenes behind-the-scenes Belgrade BEST Kiteboarding Bill Frisell Biodynamic Biometrics Black and White Magazine BLDGBLOG BMX Boat bone scans Books Brooklyn Bullet Time C.G. Jung Camera Mods Camera Mods Camera Obscura Camera traps Camera Tricks Caravaggio Carl Jung cats cheetah Childhood Home Christ Christopher Walken Chronophotography CIANT Commissioned Work Conceptual Craft crime scene amsterdam crime scene photographs Crowds Dan Winters Dance Dance David lynch Dazed Digital Depth_Editor_Debug DepthEditorDebug desert Dinner Disfarmer divine Dog Donna dusk Dynamic earthrise earthset Eatern Washington Eskimo Etc. Exhibits Experimental Far Out! flight flying Food forensic photography Forensic Photography France Fred R. Conrad freediving Friends full body scans Fun Galen Rowell Goofy Grape Vine Hands hikari cube Hiroshi Sugimoto History History Honey Bees hunting Hymenopterae Ice ICP Image Source INPUT Insects Inspiration Interactive Art International Center for Art and New Technologies iPhone Iphone Uploads Jacques Montel James George James Nord Japanese Kickboxing Kinect Kiteboarding landscape Landscape Photography large format leopards LIFE magazine Lit Photos Long Exposures Long Exposures lunar Madonna memorial photography Metallurgy Microscopy Miniature Miroslav Tichy Misc Miya Ando Moon Mother & Child Mother and Child Motion Studies MSG Muay Thai Mug Shots mushrooms Muybridge My Shots Mythology NASA NeNew York Times New Scientist New York City New York Times News Nifty night Night Photographs Night Photography Night Photos noir NTK Nuclear Medecine Nudes NY Times Old Photo panda Parsons Paul Porter Periodical Photographs Pet Portraits Photo Conference photo traps Photographers Physiognomy Physiology Physiology of Sight Pleurotus Ostreatus police beat porter brothers portrait Portraits Portraiture postmortem photography Pottery Press Projection Projects In Progress Published Radiology Rag & Bone Randolphe A. Reiss Randolphe Archibald Reiss Resonate Resources Reuters RGBD RGBD Robert Frank Sad Mother Sail Sam O'Hare Samantha Mitchell Scanning Electron Microscope Science Science sculpture Seascapes SEM Sequences Shamdasani shoji ueda Skateboarding Snowflake Space Space Suits Spearfishing Sports Sports Stop Motion Street Photography street photography Subway sunset Sweden Tatiana Sachie Taxonomy Teddy Telles Textbook The Eye The Great Depression The New School The Photographic Universe The Picture Show The Red Book The Scene of the Crime: Rodolphe A. Reiss (1875–1929) Theatres Tilt/Shift Tim Knowles Time Times Square trent parke undefined Värmland Velázquez Vessel Video Video Vine Vineyard Walker Evans Walking Wall Street Weather weegee WildView Wilridge Winery Wine Woulda-coulda-Shoulda Xbox 360 Xray Yakima Tasting Room

Entries in BLDGBLOG (1)

Sunday
Aug142011

VIA | PERSPECTIVES

I am constantly charmed and thrilled by BLDGBLOG – this post is no exception. I love the idea that a blog concerned with "architectural conjecture," would be interested in the developments of photography. This post relates a bit to the DepthEditorDebug project I've been collaborating on recently. In it, he goes from bullet time to Velasquez and back again. But what captivates me is that if he gets to write about photography, then I get to write about architecture... damnit! 

BLDGBLOG: Split Infinitives:

A digital image-processing system under development since 2007 will allow photographers "to artificially create photos taken from a perspective where there was no photographer." It uses "a computer-vision technique called view synthesis to combine two or more photographs to create another very realistic-looking one that looks like it was taken from an arbitrary viewpoint," as New Scientist explains.

 

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